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High 10 YouTube Clips About Lucio Fontana

2023-01-28T18:53:02Z

GeorgiannaJansen: Es crea la pàgina amb «Inadequacy Concepts such as art and life must mix with each other because there is no point in not separating human activity and the human being itself. Life is art...».

Inadequacy Concepts such as art and life must mix with each other because there is no point in not separating human activity and the human being itself. Life is art (creative energy - sexual) Who said that? This is the reason why the most fascinating art is one is about life, that reveals different experiences, the details, curiosity, and points of view. In life, it is essential to disbelieve the notion of a perfectionism that can be achieved (in response to such expectations, the only art that we can think of is film). Error [https://controlc.com/0cbe5e2b controlc.com] is the hallmark of being Human, the stumbling block upon which we've all fallen at one time or another: the faulty judgement, impulsiveness, fear or anger, the unending search for security and control and making the wrong decisions. Don't you dare say you've not made one of these mistakes? Open: a new perspective from which to see When we slip, we hurt ourselves more or less intensely and are inclined to judge the cause of our fall, and to think the error as a result due to the expectation we have of ourselves and others. The wound is the actual point where we can see the truth, from which we can no longer rely on the illusion of perfect (which in the event that it was so should not hurt) and look at the things that are damaged: we examine it and look at ourselves. Fontana cut her hair with the consciousness that breaking and opening is tearing because destroying is often the most creative act, especially in a world in which, even from a young age, we are immersed in a strong, impregnating systems of values and beliefs. It is no coincidence that Fontana said in 1963 in an interview with Nerio Minuzzo that: "The people who criticize me have often maligned me, but I have never worried about it, I went ahead anyway and never accepted the salute of anyone. For years they called me 'the one that has the holes', with some pity even. Today, I realize that my cuts and holes have earned me a reputation and are widely accepted. They even find practical applications. In theatres and bars, they have ceilings made of holes. Since, today the public who walk by understand the new designs. It is the artists that are the ones who know more '. When Fontana refers to street people, he invokes the imagery of imperfection, where the form of the hole is that is similar to every other one where the transformation of life can be seen. Fontana isn't afraid of dust nor the violence of his creative work and throws tar at an artifact made of plaster of a man and calls the sculpture "Black Man". Years later, the cut transforms into the conquer of space, as an overcoming of sculpture and painting through a new spatiality that contains them both: an end to verticality to create a crossing passage. The palpitation that occurs, both inhaling and exhaling from the canvas, is , from afar, reminiscent in a more cerebral and bourgeois sense of the work Gina Pane would later do on her skin: the gesture is nonetheless the immortal character in the context of art is destined to be destroyed; the wound and the cut represent the path, boundary and exchange. The artist herself opens the canvas in two and declares it to be finite. the holes become black holes, which give the illusion of depth and reveal the infinite that we will never be able to comprehend. Wait: we are discovering new things that we do not yet know Fontana called the cuts "Waits," which are the gaps from which new and new things are born which we do not are aware of. When we make an error, or end up hurting or causing harm to someone else one, we must wait a certain period of time before we can react. It starts with the shock of making a mistake and the failure to overcome, after that, finding out the best path to take to make up for it or to get it out of the way Then we await the effects of the fracture or error, which could turn out to be a new and great resource. It could also be a waste of time. Few understood (and are able to comprehend) this philosophy , as they are constantly assessing how reality and human beings ought to be, and how they should be compared to the two-dimensional nature that is the nature of canvas. We keep fighting with all of our might the best practices, the right way to appear and be in the world, so so that we resort to norms that ultimately define normativity. It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to every organism and ecosystem in the world However, we see it from a narrow and biased viewpoint that is not in line with reality: Anthropocentrism as well as individual interpretations of the other that are almost never the most accurate. Accept: there is no perfection in the absolute sense. This also applies to this society that wants us to be better at all costs, without considering that maybe, instead of improving standards, we could learn to be more accepting of the world in the present. Do we accept pain? Do we accept death? Accept bodies? Do we accept diversity? Most importantly, after we accept, do you respect our differences? In most cases do we choose to ignore those things that don't fit with the 'perfection' of our little world or the universe. This causes us to be shocked, angry, disgusted to be swept away, ignored, or covered up and then we show the very imperfection that we really are, but we refuse to accept it. Understanding one's own limitations is essential, as is realising the interconnectedness of everything in the global system. Either we are ALL put in a position where we can give our best, or there is no competition or effort worthwhile, except for the goal of creating inequality. It is all well and good that some with a lot of effort have achieved it, as have the ones who are fortunate. However, in a larger context, always stretching the boundaries of what is possible the definition of 'a perfection' in an imperfect' context; no 'Perfection' in the absolutist sense. Does this even exist? Cut and let the truth be revealed It is possible to say that Fontana was a tinkerer, as from the very beginning Fontana rejected the simple routes to success, and opted instead to try out the untested and the uncertain, that is to say, he renounced the pretense of being the only and following the research path which led him to discover some facts. For me, and my personal opinion, Fontana is the one who rips the veil and lets the light shine through, even if the black sails are obscured behind the cuts. A spatial artist as well as one of the early pioneers of that art understood not only as a work but as a gesture, an act, in and around it. as a result of action on the space, as the expression of a narrative, of which much is practiced in the present. To me, his cuts illuminate all this, opening up new perspectives to art and new perspectives on the world and also new questions. The wound, for this, is not just pain, the wound is a symbol of mortality, brevity, uncertainty and fragility. Wounding makes us question, makes us question the way we think, and this is very important to stay on the ground. As difficult as it is to suffer and as much as, in a perfect story of our existence, it would be great (and right) to gain knowledge only by positive reinforcements. So long we as a species do not want to be a part of the suffering of others as well than our own, we are stuck in the unsolved, and to live in an unfulfilled reality. Let us take pleasure in the cinema and the happy endings it brings, its beauty and perfection that is taken as a given and which we mistakenly end up taking as a model for life as the visual arts, on the other hand are the product of suffering. Every artist who wishes to speak the truth, must pass through the wound.

Top 9 Funny Lucio Fontana Quotes

2023-01-28T18:28:47Z

GeorgiannaJansen: Es crea la pàgina amb «Imperfection Concepts like art and life must mix with each other because there is no reason for not separating human activity and the human being itself. Life is ar...».

Imperfection Concepts like art and life must mix with each other because there is no reason for not separating human activity and the human being itself. Life is art (creative energy - sexual), who said that? This is the reason why the most intriguing art is the one which talks about life, that unravels various experiences, recollects the details, curiosity, and viewpoints. When it comes to life, it is essential to disbelieve the notion of a perfectionism to be reached (in response to this kind of expectation the only form of art that we can think of is film). The nature of error is the essence of being Human The stumbling block upon which we've been at one point or another: the faulty judgment, haste and anger, the constant need for control and security and making the wrong decisions. Don't tell me you have never made any of these errors? Open: a new perspective from which to see When we fall, we hurt ourselves more or less and are prone to judge the cause of our fall, and to think the error as a result due to the expectation we have of ourselves and others. The injury is actually the point where we can see the truth, from which we can no longer rely on the illusion of perfection (which if it were such shouldn't be hurting) and examine what is damaged: we examine the wound and examine ourselves. Fontana cut her hair with the consciousness the possibility of opening up, breaking or tearing because destroying is often the most creative action, [https://postheaven.net/playdrop0/picture-your-lucio-fontana-on-top https://postheaven.net/playdrop0/picture-your-lucio-fontana-on-top] and especially in a world where, from an early age, we are immersed in a deeply ingrained model of belief and values. It's no accident that Fontana said in 1963 in an interview with Nerio Minuzzo: "The critics have always criticized me, but I have never thought about it. I just went with it and never accepted anyone's salute. In the past, they called me 'the one with the holes' with a little pity. However, today I can see that my holes and cuts have been a hit, are accepted and even have practical uses. In bars and theatres they have ceilings made of holes. Because today, you see the public in the street can comprehend the latest forms. It's the artists however, who are the only ones to understand less '. When Fontana refers to the street, he invokes the image of imperfection in which the hole is a shape like any other where the transformation of life can be seen. He is not afraid of the dirt, nor the violent nature of creative expression and throws tar at an artifact made of plaster of a human figure and calls the piece 'Black Man'. The cut becomes the conquest of space, in the form of an overthrow of painting and sculpture, by a new space which combines them: a break from verticality, in favor of a crossing passage. The palpitation that occurs, both inhaling and exhaling the canvas, can be seen from afar in a more cerebral and bourgeois way, of the work that Gina Pane would later do on her skin: the gesture is nonetheless the immortal character in the context of the art will eventually be destroyed; the wound and the cut are the path, boundary and exchange. The artist opens the canvas and declares it to be finite. the holes are transformed into black holes, which give the illusion of depth and reveal the infinite , which we'll never be able to comprehend. Wait: new things we do not yet know Fontana called the cuts "Waits," which are the openings from which new and unique things emerge which we do not know. When we make an error, or cause harm or injury to another injuring or hurting another, we need to wait for a period before we react. The first reaction is the shock of the error and the failure to overcome, after that, finding out the best way to go to make up for it or avoid it Then we await the effects of the fracture or error, which could be a brand amazing and new resource. Or not. Many people do not understand (and do not comprehend) this philosophy because they are constantly assessing what reality and the human condition ought to be, and how they should be compared to the two-dimensional nature on the wall. We continue to defend with all our might the right methods, the correct way to appear and be as a person in society, that we turn to rules that eventually define the concept of normativity. It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to every other organism and ecosystem on the planet however, in reality we see it from a narrow , biased point of view that is not in line with reality. Anthropocentrism as well as personal interpretations of other theories which are rarely the correct ones. Accept: there is no absolute perfection. The same is true of the society that demands us to be the best every chance they get, without pondering the fact that maybe, instead of raising standards, we should become more accepting of what is, just the way it is. Do we accept pain? Do we accept death? Do we accept bodies? Do we accept diversity? Most importantly, after accepting, do we respect our differences? Most of the time do we choose to ignore what does not coincide with the 'perfection' of our very own planet or the universe. It makes us feel angry, shocked, and disgusted and swept under the carpet and we then show the imperfections that we actually are, but refuse to accept. Understanding one's own limitations is essential and so is understanding the interconnectedness of everything that is the world system: either we are ALL placed in a position where we can give our best, or there's no incentive or competition worth the effort with the sole purpose of fuelling the spread of inequality. It is all well and great that some people after much effort have made it, as have those who have been lucky. However, when you look at it in the larger context, always stretching the boundaries a little further it's a perfection' in an 'imperfect setting; there is no "perfection" in the absolute sense. Can this be a reality? Cut and let the truth be revealed We can say that Fontana tried, because from the very beginning Fontana rejected the simple paths of success, preferring to experiment with the unknown and the uncertain, that is to say, he renounced the pretense of being the only that was successful, he pursued the path of research which led him to discover some facts. For me, and my personal perspective, Fontana is the one who tears open the veil and lets the light through, even if there are black sails that obscure behind the cuts. A spatial artist as well as one of the pioneers of this art, it is not understood only as a work but as a gesture, an act, in and around it. in the context of actions on space, performance as the expression of a narrative, and this is the way it is practised today. To me, his cuts are a great example of these, opening new perspectives for art, new points of view on the world and also new questions. The wound, for this, is more than just pain: the wound is a symbol of mortality, brevity, uncertainty and fragility. A wound can make us think and makes us think the way we think, and this is very important to keep our feet grounded. As hard as it is to suffer and as much as it is in a perfect narrative of existence it would be wonderful (and right) to gain knowledge only through positive reinforcements, as long we as a species are unwilling to avoid each other's suffering as much like our own, we are bound to remain in the unsolved and insanity. Let us take pleasure in the cinema and its happy endings, its beauty that we take for granted and which we mistakenly end up taking as a template for our lives since the visual arts, however are the children of suffering. Every artist who wants to tell a piece of truth, has had to pass through the wound.

Top 25 Quotes On Lucio Fontana

2023-01-28T17:06:17Z

GeorgiannaJansen:

Imperfection Concepts such as art and life have to be mixed with each other since there is no reason for maintaining a separation between human work and the human being itself. The art of life is a form (creative energy - sexual) Who would have thought that? The most interesting art is that is about life, which unravels different experiences, specifics, questions, [https://anotepad.com/notes/xxy5yrrj anotepad.com] and points of view. When it comes to life, it is necessary to reject the idea of a perfectionism that can be achieved (in order to respond to expectations of this sort The only art we could refer to is film). Error is the hallmark of being Human, the stumbling block upon which we've been at one point or another: superficial judgement, impulsiveness, fear or anger, the unending desire for safety and control and making the wrong decisions. Don't you dare say you've not made one of these errors? Open: a new perspective from which to see When we slip, we hurt ourselves more or less intensely and are prone to judge the fall as a mistake, or to make the error as a result due to the expectation we set of ourselves and others. The wound is actually the place that we are able to see the truth, from which we stop taking refuge in the idea of perfect (which should be the case if it shouldn't be hurting) and take a look at what's damaged: we examine the wound and examine ourselves. Fontana cut with the awareness the possibility of opening up, breaking or or tearing because destroying is often the strongest creative act, all the more so in a society where, from an early age, we are immersed in a powerful, imprinted systems of values and beliefs. It's not a coincidence that Fontana said in 1963 in an interview Nerio Minuzzo that: "The critiques always maligned me, but I have never was concerned about it. I went on regardless and never accepted anyone's salute. In the past, they called me 'the one that has the holes', with a little pity. But today I see that my holes and cuts have created a taste, are accepted and even find practical applications. In theatres and bars, they make ceilings with holes. Since, today, even the people on the street understand the latest forms. It is the artists however, who are the only ones to understand less '. When Fontana talks about the street, he is evoking the imagery of imperfection, where the hole is a shape like any other in which the becoming of life can be seen. Fontana isn't afraid of the dirt, nor the violent nature of the creative act He throws tar onto an artifact made of plaster of a man and calls the piece "Black Man". The cut becomes the conquest of space, in the form of an overthrow of sculpture and painting through a new spatiality which combines them: a break from verticality to create an open passageway. The inhalation and exhaling of the canvas can be seen from afar in a more intellectual and bourgeois version of the work Gina Pane would later perform on her skin. The gesture is nonetheless the immortal main character in this context, where art is bound to be destroyed. The cuts and wounds are border, path and exchange. The artist breaks the canvas by splitting it in two and declares its finiteness; the holes are transformed into black holes, which give depth and make us perceive the infinite that we will never understand. Wait: we are discovering new things that we haven't discovered yet Fontana described the cuts as "Waits," which are the openings from which new and new things are born which we do not know. When we make an error, or hurt or injure the other injuring or hurting another, we need to wait for a period of time before we can react. It starts with the shock of the error and the failure over, then figuring out what steps to take to compensate or get away with it; then we wait for the effects of the fracture or error, which could be a brand innovative and valuable source. Or not. Many people do not understand (and are able to comprehend) this philosophy , as they constantly judge the way that human beings and reality ought to be, and how they should be compared to the two-dimensional nature of the canvas. We keep fighting with all of our might the correct ways, the best method of presenting and being in the world, so that we rely on norms that ultimately define normativity. It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to all other living organisms and ecosystem in the world, but in reality we view it from a narrow , biased viewpoint which has nothing to do with the reality of Anthropocentrism as well as personal interpretations of the other that are almost never the right ones. Accept that there is no absolute perfection. The same is true of our society, which demands to be the best at all cost, but without pondering the fact that, instead of improving standards, we could learn to be more accepting of things just as it is. Do we accept pain? Do we accept death? Do we accept bodies? Do we accept diversity? And, most importantly, once accepting, do we honor our diversity? Very often no, we resort to invisibilising what does not coincide with the "perfect" of our very own planet or the universe. It makes us feel angry, shocked, and disgusted to be swept away, ignored, or covered up, and so we manifest the imperfections that we actually are, but do not accept. Being aware of one's limits is crucial, as is realising the interconnectedness of everything in the world system. Either we are ALL put in a position where we can give our best or there is no reason to compete or exert effort, except for the motive of increasing inequalities. It is all well and good to know that some who have put in a lot of work have succeeded at it, just like the ones who are lucky. But in the broader sense, constantly stretching the boundaries of what is possible, it will be 'a perfection' in an imperfect setting; there is no 'Perfection' in the absolutist sense. Does this even exist? Cut Let the truth come out It is possible to say that Fontana attempted to do so, since from the very beginning Fontana rejected the simple routes to success, and opted instead to experiment with the unknown and the uncertain, that is to say, he renounced the notion of being the only one that was successful, he pursued the research path which led him to discover certain truths. For me, and in my personal opinion, Fontana is the one who tears open the veil and allows the light in, even though the black sails are obscured in the background. An artist of spatial art in the same way as one of the early pioneers of this art, it is not understood only as a work but as a gesture, an act, in and around it. in the context of actions on the space, as the expression of a narrative, which is a large part of what is practised today. To me, his cuts illuminate all these, opening new perspectives on art, new points of view on the world , and new questions. The wound that he has caused is more than just pain: the wound highlights the idea of mortality, shortness, uncertainty and fragility. Wounding makes us question as well as make us doubt how we can improve our lives, and this practice is very important to ensure that we remain grounded. As hard as it is to endure and as hard as, in a perfect narrative of our existence, it would be great (and right) to gain knowledge only through positive reinforcements, as long we as a species are unable to avoid the suffering of others as well as our own, we're condemned to the unresolved and incomplete reality. Let us take pleasure in the cinema and its happy endings, its beauty and perfection that is taken as a given and which we misunderstand and take as a template for our lives, because the visual arts, on the other hand are the children of pain, and every artist who wants to speak the truth, had to pass through the wound.

How To Find The Best Lucio Fontana On Your Particular Product Service .

2023-01-28T16:54:22Z

GeorgiannaJansen: Es crea la pàgina amb «Imperfection Concepts such as art and life have to be mixed with each other since there is no need for not separating human activity and the human itself. Life is a...».

Imperfection Concepts such as art and life have to be mixed with each other since there is no need for not separating human activity and the human itself. Life is art (creative energy sexual) Who would have thought that? That is why the most fascinating art is one which talks about life, [https://penzu.com/p/e541eaf5 https://penzu.com/p/e541eaf5] that reveals different experiences, recollects the details, curiosity, and perspectives. In the realm of life, it is necessary to reject the idea of a perfection to be attained (in response to such expectations, the only art we could refer to is film). Failure is the hallmark of being Human, the stumbling block upon which we've all fallen at one time or another: the faulty judgement, haste, fear or anger, the unending need for control and security bad choices. Do you think you've not made one of these errors? Open: new perspective from which to see When we slip, we hurt ourselves more or less intensely and are prone to judge the cause of our fall, and to think the mistake a fault because our expectations have of ourselves and other people. The injury is the actual point from which we discover the truth. It is from here that we stop taking refuge in the idea of perfection (which if it were such shouldn't be hurting) and examine the things that are damaged: we examine it and look at ourselves. Fontana cut her hair with the consciousness the possibility of opening up, breaking or and tearing since destruction is often the most creative action, and all the more so in a society that, since a very early time, we are ensconced in a powerful, imprinted systems of values and beliefs. It's not a coincidence that Fontana stated in 1963 in an interview with Nerio Minuzzo that: "The critics have always criticized me, but I never worried about it, I went ahead anyway and I didn't take the salute of anyone. Over the years, I was called 'the one with the holes', with a little pity. But today I see that my holes and cuts have created a taste and are widely accepted. They even have practical applications. In bars and theaters, they create ceilings using holes. Since, today that even people who walk by understand the latest forms. It's the artists, unfortunately, who understand more '. When Fontana talks about the street, he invokes the imagery of imperfection, in which the form of the hole is like any other in which the becoming of life takes place. Fontana isn't afraid of dirt nor of the violence of the creative act and throws tar at an artifact made of plaster of a man and calls the piece 'Black Man'. A few years later, the cut is transformed into the conquest of space, as a triumph of painting and sculpture, through a new spatiality that contains them both: a break from verticality, in favor of the possibility of crossing. The palpitation that occurs, both inhaling and exhaling the canvas, is reminiscent from afar, in a more cerebral and bourgeois way of the work Gina Pane later did on her skin. The gesture is nevertheless the eternal protagonist in that context where art is destined to be destroyed; the wound and the cut represent the path, boundary and exchange. The artist breaks the canvas in two and proclaims the canvas's finiteness. the holes are transformed into black holes, which give an illusion of depth. They also reveal the vastness that we never know. Wait: new things we haven't discovered yet Fontana called the cuts 'Waits', openings that allow new and different things arise which we do not have a clue about. If we make mistakes, and cause harm or injury to another one, we must wait a certain time before the reaction. The first reaction is the shock of the mistake and the failure over, then figuring out what path to take to compensate or avoid it; then we wait for the consequences of that break and the mistake that could turn out to be a innovative and valuable source. But it's not. Few understood (and understand) this concept because they constantly judge how reality and human beings should be, too used to the two-dimensionality that is the nature of canvas. We keep fighting with all our might the right methods, the correct way to present and function as a person in society, so that we resort to standards that end up defining the concept of normativity. It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to every organism and ecosystem in the world, but in reality we see it from a narrow , biased viewpoint that is not in line with reality. Anthropocentrism, but also individual interpretations of the other which are rarely the most accurate. Accept: no absolute perfection. The same is true of our society, which demands to do our best at all cost, but without considering that, instead of improving standards, we could learn to be more accepting of things just as it is. Do we accept pain? Do we accept death? Accept bodies? Do we accept diversity? And, most importantly, once we accept, do you respect our differences? Very often no is it that we are able to hide the things that do not match the "perfect" of our very own planet or universe. We are horrified, angry, and irritated to be swept away, ignored, or covered up, and so we manifest the imperfections that we actually are, but refuse to accept. Understanding one's own limitations is essential as is recognizing the interconnectedness of all that is the world system. Either we are ALL placed in a position to give our best or there is no competition or effort worthwhile to be put into it, unless for the goal of creating the spread of inequality. It's all very well and good that some with a lot of effort have achieved it, as have those who have been fortunate. However, when you look at it in the larger sense, constantly stretching the boundaries of what is possible, it will be 'a perfection' in an imperfect setting; there is no "perfection" in an absolute sense. Does this even exist? Cut Let the truth come out It is possible to say that Fontana attempted to do so, since right from the beginning, Fontana resisted the straightforward paths of success, preferring to try out the untested and the unknowable, that means he decided to leave the idea of being the only one that was successful, he pursued the path of research which led him to discover some truths. For me, and in my very personal view, Fontana is the one who rips the veil and allows the light in, even though the black sails are obscured behind the cuts. A spatial artist and one of the pioneers of this art, it is not understood just as a piece of work, but as a gesture, as a gesture, around, and in the context of actions in space, and performance as the expression of a narrative, which is a large part of what is practiced in the present. For me, his cuts are a great example of these, opening new perspectives to art and new perspectives about the world, as well as new questions. The wound for this, is more than just pain: the wound highlights the idea of mortality, shortness, uncertainty and fragility. Wounding makes us question and makes us think how we can improve our lives, and this practice is essential to stay on the ground. While it can be difficult to endure and as hard as it is in a perfect tale of existence it would be wonderful (and just) to learn only by positive reinforcements. As long that we as a nation are unwilling to avoid one another's pain as than our own, we're stuck in the unsolved, and to live in an unfulfilled reality. So let's enjoy the cinema and the happy endings it brings, its perfection so taken as a given and which we mistakenly end up taking as a template for our lives, because the visual arts contrary to what they appear, are the daughters of suffering. Every artist who wants to tell a piece of truth, had to traverse the pain.

Usuari:GeorgiannaJansen

2023-01-28T16:51:59Z

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