Viquipiera - Contribucions de l'usuari [ca]

OMG The Best Lucio Fontana Ever

2023-01-28T19:48:32Z

IngridTrugernann: Es crea la pàgina amb «Inadequacy Concepts like art and life must mix with each other since there is no point in keeping a distance between human activity and the human itself. The art of...».

Inadequacy Concepts like art and life must mix with each other since there is no point in keeping a distance between human activity and the human itself. The art of life is a form (creative energy sexual) Who said that? This is the reason why the most intriguing art is the one which talks about life, [https://postheaven.net/needlehubcap7/prime-25-quotes-on-lucio-fontana postheaven.net] that reveals different experiences, recollects specifics, questions, and perspectives. In the realm of life, it is necessary to disbelieve the notion of a perfectionism to be attained (in in order to be able to meet this kind of expectation, the only art we could refer to is that of the cinema). Error is the hallmark of being Human and the block that we've been at one point or another: the faulty judgement, impulsiveness, fear or anger, the unending search for security and control, wrong choices. Don't you dare say you've never made any of these mistakes? Open: a new perspective from which to look If we fall, we hurt ourselves more or less and tend to look at the fall as a mistake, or to make the mistake a fault because due to the expectation we have of ourselves and others. The wound is actually the place where we can discover the truth. It is from here that we are no longer in the idea of perfection (which should be the case if it should not hurt) and look at what is broken: we look through it and then look at our own self-image. Fontana cut her hair with the consciousness the possibility of opening up, breaking or tearing as destruction is often the most creative action, and especially in a world in which, even from a young age, we are immersed in a powerful, imprinted systems of values and beliefs. It is no coincidence that Fontana stated in 1963 in the course of an interview Nerio Minuzzo: "The critiques always criticized me, but I have never was concerned about it. I went ahead anyway and I didn't take any kind of salute. In the past, they called me "the one that has the holes', with a little pity. However, today I can see that my holes and cuts have created a taste that is accepted, and they even have practical uses. In bars and theatres they create ceilings using holes. Because today, you see that even people on the street understand the new forms. It is the artists, unfortunately, who understand more '. When Fontana speaks of street people, he is evoking the idea of imperfection where the form of the hole is like any other that the emergence of life takes place. He's not scared of the dirt, nor the violent nature of his creative work: he throws tar on a plaster sculpture of a man and calls the piece "Black Man". A few years later, the cut is transformed into the conquest of space, as a triumph of painting and sculpture, through a new spatiality that combines both an end to verticality in favour of an open passageway. The inhalation and exhaling the canvas is reminiscent from afar, in a more intellectual and bourgeois sense of the work Gina Pane would later do on her skin: the gesture remains the eternal main character in this context, where art is bound to be destroyed. The wound and the cut represent the path, boundary and exchange. The artist breaks the canvas and declares it to be finite. the holes become black holes that give depth and make us perceive the infinite , which we'll never know. Wait: we are discovering new things that we do not yet know Fontana called the cuts "Waits," which are the openings from which new and unique things emerge that we do not yet have a clue about. If we make a mistake, when we hurt or injure the other, we have a waiting time before the reaction. First the shock of the mistake and the failure overcome, and then finding out the best path to take to compensate or avoid it and then waiting for the consequences of that break, that mistake, which could actually be a amazing and new resource. Or not. A few people have understood (and understand) this philosophy because they are constantly judging the way that human beings and reality ought to be, and how they should be compared to the two-dimensional nature that is the nature of canvas. We continue to defend with all of our might the right ways, the best way to present and function in society, so much that we turn to standards that end up defining normativity. It's impossible to find anything more confusing. In our belief that we are experts and everything, we apply our standard to every other organism and ecosystem on the planet, but in reality we see it from a narrow and biased point of view that is not in line with the reality of Anthropocentrism as well as personal interpretations of the other that are almost never the correct ones. Accept: no perfection in the absolute sense. This is also true for the society that demands us to be better at all cost, but without reflecting on the fact that maybe, instead of improving standards, we could learn to be more accepting of things just the way it is. Do we accept pain? Do we accept death? Accept the bodies of others? Do we accept diversity? And, most importantly, once we accept, do you dignify? Most of the time do we choose to ignore the things that do not match the "perfect" nature of our own little planet or universe. This causes us to be horrified, angry, and irritated and swept under the carpet and we then show the imperfections that we really are, but refuse to accept. Understanding one's own limitations is important, as is realising the interconnectedness of everything that is the global system. Either we are ALL put in a position where we can give our best, or there's no incentive or competition worth the effort with the sole motive of increasing inequalities. It's great and great that some people who have put in a lot of work have succeeded at it, just like the ones who are lucky. However, when you look at it in the larger context, always pushing the boundaries of what is possible it's a perfection' in an imperfect situation; not a 'Perfection' in the absolutist sense. Can this be a reality? Cut and let the truth be revealed We can say that Fontana was a tinkerer, as from the beginning, Fontana resisted the straightforward ways to be successful, opting instead to experiment with the unknown and the unknowable, that means he decided to leave the notion of being the one, he followed the research path which led him to discover some truths. In my very personal view, Fontana is the one who cuts the curtain and lets light in, even though the black sails are obscured in the background. A spatial artist as well as one of the forerunners of that art understood not solely as a work, but as a gesture, an act, in and around it. as a result of action in space, and performance as the activation of narrative, of which much is practiced in the present. To me, his cuts illuminate all these, opening new perspectives for art, new points of view about the world, as well as new questions. The wound, for this, is more than pain: the wound highlights mortality, brevity, uncertainty and fragility. A wound can make us think as well as make us doubt the way we think, and this is very important to ensure that we remain in the right place. As hard as it is to be a victim and as difficult as it would be in a perfect tale of our existence it would be wonderful (and appropriate) to gain knowledge only through positive reinforcements, as long that we as a nation are unable to avoid each other's suffering as much like our own, we're stuck in the unsolved, and insanity. So let's enjoy the cinema and the happy endings it brings, its beauty that we take as a given and which we misunderstand and take as a template for our lives as the visual arts, on the other hand are the product of pain, and every artist who wishes to tell a piece of truth, must go through the pain.

Best Lucio Fontana Tips You Will Read This Year

2023-01-28T19:33:28Z

IngridTrugernann:

Imperfection Concepts such as art and life must mix with each other since there is no reason for keeping a distance between human work and the human itself. The art of life is a form (creative energy sexual) Who said that? This is the reason why the most interesting art is that is about life, which unravels different experiences, recollects the details, curiosity, and points of view. When it comes to the world, it is imperative to disbelieve the notion of a perfection to be reached (in response to such expectations, the only art we can refer to is that of the cinema). Error is the hallmark of being Human The stumbling block into which we have every one of us at one point or another: impulsive judgement, haste, [https://canvas.instructure.com/eportfolios/1761976/Home/5_Lucio_Fontana_Secrets_You_Never_Knew https://canvas.instructure.com/eportfolios/1761976/Home/5_Lucio_Fontana_Secrets_You_Never_Knew] fear or anger, the unending desire for safety and control, wrong choices. Do you think you've not made one of these mistakes? Open: a new perspective from which to look If we fall, we injure ourselves more or less intensely and are inclined to judge the cause of our fall, and to think the error as a result our expectations have of ourselves and other people. The wound is actually the place where we can see the truth. From there, we stop taking refuge in the illusion of perfection (which if it were such should not hurt) and take a look at what's damaged: we examine it and look at ourselves. Fontana cut her hair with the consciousness that breaking and opening is or tearing since destruction is often the most creative action, and especially in a culture that, since a very early stage, we're immersed in a powerful, imprinted model of belief and values. It is no coincidence that Fontana stated in 1963 in an interview Nerio Minuzzo: "The critiques always criticized me, but I have never thought about it. I went ahead anyway and I never took any kind of salute. For years they called me 'the one that has the holes', with a little pity. Today, I realize that my holes and cuts have created a taste and are widely accepted. They even have practical uses. In bars and theatres they make ceilings with holes. Since, today that even people who walk by understand the new forms. It's the artists that are the ones who know little '. When Fontana talks about street people, he invokes the idea of imperfection in which the hole is a form like any other where the transformation of life can be seen. He is not afraid of dirt nor of the brutality of creative expression: he throws tar on a plaster sculpture of a man , and names the sculpture 'Black Man'. A few years later, the cut becomes the conquest of space, in the form of an overthrow of painting and sculpture, by a new space that contains them both: an end to verticality to create an open passageway. The palpitation that occurs, both inhaling and exhaling of the canvas, can be seen from afar in a more intellectual and bourgeois version of the work Gina Pane would later perform on her skin: the gesture remains the eternal main character in this context, where art is bound to be destroyed. The wound and the cut are path, boundary and exchange. The artist breaks the canvas in two and declares its finiteness; the holes become black holes that give the illusion of depth and reveal the infinite that we will never understand. Wait: new things we don't yet know Fontana called the cuts "Waits," openings that allow new and unique things emerge which we do not have a clue about. When we commit a mistake, when we hurt or injure the other, we have a waiting period before we react. First the shock of the error and the failure to overcome, and then finding out the best way to go to rectify the mistake or avoid it Then we await the consequences of that fracture or error, which could be a brand new and great source. But it's not. Many people do not understand (and do not comprehend) this philosophy because they constantly judge how reality and human beings ought to be, and how they should be compared to the two-dimensionality of the canvas. We fight every inch of our being the correct ways, the best way to appear and be in the world, so that we turn to rules that eventually define the concept of normativity. Nothing could be more incoherent. We are convinced that we know everything, we apply our yardstick to all other living organisms and ecosystem around the globe however, in reality we see it from a narrow , biased perspective that is not in line with reality. Anthropocentrism, but also individual interpretations of the other which are rarely the right ones. Accept: no perfection in the absolute sense. The same is true of this society that wants us to do our best at all cost, but without considering that perhaps, rather than improving standards, we could learn to be more accepting of the world as it is. Do we accept pain? Do we accept death? Do we accept bodies? Do we accept diversity? Most importantly, after accepting, do we honor our diversity? In most cases do we choose to ignore those things that don't fit with the 'perfection' of our own little planet or universe. We are shocked, angry, disgusted and swept under the carpet and we then show the imperfections that we really are, but refuse to accept. Understanding one's own limitations is essential as is recognizing the interconnectedness of everything in the world system: either we are ALL placed in a position where we can give our best or there is no competition or effort worthwhile to be put into it, unless for the goal of creating inequalities. It is all well and good to know that some after much effort have made it, as have those who have been lucky. However, when you look at it in the larger context, always pushing the boundaries of what is possible it's a perfection' in an imperfect situation; not a "perfection" in the absolute sense. Does this even exist? Cut: let the truth in We can say that Fontana attempted to do so, since from the very beginning Fontana resisted the straightforward ways to be successful, opting instead to try out the untested and the uncertain, that means he decided to leave the pretense of being the only one, he followed the path of study that led him to unravel certain facts. For me, and in my personal opinion, Fontana is the one who cuts the veil and lets the light in, even though there are black sails that obscure in the background. A spatial artist in the same way as one of the forerunners of the art that is understood not just as a piece of work, but also as a gesture as a gesture, around, and as a consequence of action on space, performance as the activation of a narrative, of which much is being done today. To me, his cuts illuminate all this, opening up new perspectives for art and new perspectives about the world, as well as new questions. The wound that he has caused is not just pain, the wound highlights the fragility, mortality, and fragility. Wounding makes us question and makes us think, and this practice is very important to stay on the ground. While it can be difficult to suffer and as much as it is in a perfect tale of our existence, it would be great (and just) to learn only through positive reinforcements, as long as we as a society do not want to be a part of one another's pain as as our own, we are condemned to the unresolved and to live in an incomplete reality. So let's enjoy the cinema and its happy endings, its perfection so taken for granted , and that we misunderstand and take as a template for our lives as the visual arts, however are the children of suffering, and any artist who wants to tell a piece of truth, had to traverse the pain.

Nine Lessons About Lucio Fontana You Need To Learn Before You Hit 40

2023-01-28T19:13:55Z

IngridTrugernann: Es crea la pàgina amb «Imperfection Concepts like art and life should be mixed with one another because there is no need for not separating the work of humans and human being itself. Art...».

Imperfection Concepts like art and life should be mixed with one another because there is no need for not separating the work of humans and human being itself. Art is life (creative energy - sexual), who said that? The most intriguing art is the one is about life, that unravels various experiences, recounts specifics, questions, and perspectives. When it comes to life, it is necessary to disbelieve the notion of a perfectionism to be reached (in order to respond to such expectations, the only art we could refer to is that of film). Failure is the hallmark of being Human and the block that we've all fallen at one time or another: the faulty judgment, haste or anger, the unending search for security and control bad choices. Don't tell me you have not made any of these errors? Open: new perspective from which to look If we fall, we hurt ourselves more or less and are prone to judge the fall as a mistake, or to make the mistake a fault because due to the expectation we set of ourselves and other people. The wound is actually the point where we can discover the truth. From there, we stop taking refuge in the illusion of perfection (which if it were such should not hurt) and take a look at what is broken: we look through the wound and examine our own self-image. Fontana cut her hair with the consciousness that breaking and opening is tearing because destroying is often the most artistic act, particularly in a society in which, even from a young time, we are ensconced in a powerful, imprinted systems of values and beliefs. It is no coincidence that Fontana said in 1963 in an interview with Nerio Minuzzo: "The people who criticize me have often maligned me, but I have never was concerned about it. I went on regardless and I didn't take any kind of salute. Over the years, I was called "the guy with the holes', with some pity even. However, today I can see that my cuts and holes have been a hit, are accepted and even have practical applications. In theatres and bars, they make ceilings with holes. Since, today that even people in the street can comprehend the latest forms. It's the artists, unfortunately, who understand little '. When Fontana speaks of the street, he invokes the imagery of imperfection, where the form of the hole is like any other where the transformation of life can be seen. He is not afraid of the dirt, nor the brutality of the creative act and throws tar at an artifact made of plaster of a man , and names the sculpture 'Black Man'. The cut transforms into the conquer of space, as a triumph of painting and sculpture, through a new spatiality that contains them both: the break with verticality to create the possibility of crossing. The inhalation and exhaling the canvas, [https://pastelink.net/efylonob pastelink.net] is , from afar, reminiscent in a more intellectual and bourgeois way, of the work that Gina Pane later did on her skin. The gesture is nonetheless the immortal protagonist in that context where the art will eventually be destroyed. The wound and the cut are the path, boundary and exchange. The artist herself opens the canvas and declares it to be finite. the holes become black holes that provide the illusion of depth and reveal the infinite , which we'll never know. Wait: new things we don't yet know Fontana named the cuts "Waits," openings that allow new and different things arise that we do not yet have a clue about. If we make an error, or end up hurting or causing harm to someone else one, we must wait a certain time before the reaction. First the shock of making a mistake and the failure over, then figuring out what steps to take to make up for it or to get it out of the way Then we await the consequences of that fracture and the mistake that could actually be a innovative and valuable source. Or not. A few people have understood (and understand) this philosophy because they are constantly assessing what reality and the human condition should be, too used to the two-dimensional nature on the wall. We fight every inch of our being the right methods, the correct way to appear and be in society, so much so that we resort to rules that eventually define normativity. There is nothing more absurd than this. Convinced that we know everything that we do, we compare our standards to every other organism and ecosystem in the world, but in reality we see the world from a narrow and biased perspective that is not in line with the reality of Anthropocentrism, but also individual interpretations of the other which are rarely the most accurate. Accept that there is no absolute perfection. This is also true for the society that demands us to do our best at all cost, but without considering that perhaps, rather than increasing standards, we need to accept more of things just in the present. Do we accept pain? Do we accept death? Accept the bodies of others? Do we accept diversity? And, most importantly, once we accept, do we dignify? In most cases is it that we are able to hide those things that don't fit with the "perfect" of our very own planet or the universe. This causes us to be horrified, angry, and irritated to be swept away, ignored, or put under the rug and then we show our imperfections, which we are in reality, yet we refuse to accept it. Knowing one's own limits is important, as is realising the interconnectedness of everything that is the global system. Either we are ALL put in a position to give our best or there is no incentive or competition worth the effort with the sole purpose of fuelling inequality. It is all well and good that some after much effort have made it, just like those who have been so fortunate. However, in a larger context, always pushing the boundaries a little further it's a perfection' in an 'imperfect situation; not a 'Perfection' in the absolutist sense. Does this even exist? Cut and let the truth be revealed We can conclude that Fontana attempted to do so, since right from the beginning, he rejected the easy routes to success, and opted instead to try out the untested and unpredictability, which is to say, he renounced the pretense of being the only one that was successful, he pursued the path of research that led him to uncover some truths. For me, and my personal perspective, Fontana is the one who tears open the veil and lets the light through, even if he put obscuring black sails behind the cuts. An artist of spatial art and one of the forerunners of the art that is understood not just as a piece of work, but also as a gesture an act, in and around it. as a result of action on the space, as the activation of a narrative, which is a large part of what is practised today. To me, his cuts reveal all of this, opening up new perspectives for art as well as new perspectives on the world and also new questions. The wound for this, is more than just pain: the wound highlights the idea of mortality, shortness, uncertainty and fragility. A wound can make us think and makes us think, and this practice is very important to stay in the right place. While it can be difficult to suffer and as much as it is in a perfect tale of existence it is ideal (and appropriate) to learn through positive reinforcements, as long as we as a society do not want to be a part of one another's pain as as our own, we are condemned to the unresolved and unfulfilled reality. So let us enjoy the cinema and its happy endings its beauty and perfection that is taken for granted , and that we take as a template for our lives, because the visual arts contrary to what they appear are the product of suffering. Every artist, in order to tell a piece of truth, had to traverse the pain.

The Quickest Best Option To Lucio Fontana

2023-01-28T17:09:58Z

IngridTrugernann: Es crea la pàgina amb «Inadequacy Concepts such as art and life should be mixed with each other since there is no need for keeping a distance between the work of humans and human itself....».

Inadequacy Concepts such as art and life should be mixed with each other since there is no need for keeping a distance between the work of humans and human itself. Life is art (creative energy - sexual), who said that? That is why the most fascinating art is one is about life, which unravels different experiences, recollects specifics, questions, and viewpoints. In the world, it is imperative to disbelieve the notion of a perfectionism that can be reached (in order to respond to such expectations, the only art we could refer to is film). Error is the hallmark of being Human The stumbling block that we've been at one point or another: impulsive judgment, haste and anger, the constant search for security and control, wrong choices. Don't tell me you have never made any of these mistakes? Open: a new perspective from which to see If we fall, we hurt ourselves more or less intensely and are inclined to judge the cause of our fall, and to think that the error was a mistake because our expectations hold of ourselves and others. The wound is actually the point that we are able to see the truth. From there, we can no longer rely on the illusion of perfection (which should be the case if it would not be a problem) and examine what is damaged: we examine the wound and examine ourselves. Fontana cut her hair with the consciousness the possibility of opening up, breaking or and tearing as destruction is often the most creative action, and particularly in a society that, since a very early time, we are ensconced in a powerful, imprinted systems of values and beliefs. It's no accident that Fontana stated in 1963 in the course of an interview Nerio Minuzzo: "The people who criticize me have often criticized me, but I have never thought about it. I went ahead anyway and I never took the salute of anyone. In the past, they called me "the guy that has the holes', with a little pity. Today, I realize that my cuts and holes have earned me a reputation that is accepted, and they even have practical applications. In theatres and bars, they create ceilings using holes. Since today, as you can see that even people in the street can comprehend the new forms. The artists are the ones however, who are the only ones to understand more '. When Fontana refers to the street, he is evoking the idea of imperfection in which the hole is a form similar to any other, in which the becoming of life can be seen. Fontana isn't afraid of dirt nor of the brutality of creative expression He throws tar onto the sculpture of a human figure and calls the piece 'Black Man'. A few years later, the cut is transformed into the conquest of space, in the form of an overthrow of sculpture and painting through a new form of space that combines both a break from verticality, in favor of a crossing passage. The palpitation that occurs, both inhaling and exhaling of the canvas, is reminiscent from afar, in a more intellectual and bourgeois sense of the work Gina Pane would later perform on her skin: the gesture remains the eternal main character in this context, where art is bound to be destroyed; the wound and the cut are border, path and exchange. The artist breaks the canvas in two and declares its finiteness; the holes are transformed into black holes that provide an illusion of depth. They also reveal the vastness that we never be able to comprehend. Wait: new things we do not yet know Fontana called the cuts "Waits," which are the gaps from which new and unique things emerge which we do not know. When we make a mistake, when we end up hurting or causing harm to someone else, we have a waiting time before the reaction. It starts with the shock of making a mistake and the failure over, then deciding on the path to take to make up for it or to get it out of the way Then we await the consequences of that fracture and the mistake that could turn out to be a new and great resource. It could also be a waste of time. Many people do not understand (and do not comprehend) this philosophy because they are constantly judging what reality and the human condition should be, too used to the two-dimensional nature on the wall. We fight with all our might the best ways, the best way to present and function in society, so much so that we resort to norms that ultimately define the concept of normativity. Nothing could be more incoherent. Convinced that we know everything that we do, we compare our standards to all other living organisms and ecosystem around the globe however, in reality we are looking at the world from a narrow and biased viewpoint that is not in line with reality. Anthropocentrism and individual interpretations of the other which are rarely the most accurate. Accept that there is no absolute perfection. This is also true for the society that demands us to do our best at all cost, but without pondering the fact that perhaps, rather than raising standards, we should accept more of the world in the present. Do we accept pain? Do we accept death? Do we accept the bodies of others? Do we accept diversity? Most importantly, after we accept, do you dignify? Most of the time, we resort to invisibilising the things that do not match the "perfect" of our very own planet or the universe. We are feel angry, shocked, and disgusted, pushed away, covered up and we then show the very imperfection that we really are, but refuse to accept. Being aware of one's limits is essential, as is realising the interconnectedness of everything in the global system. Either we are ALL put in a position to do our best, or there's no competition or effort worthwhile to be put into it, unless for the purpose of fuelling the spread of inequality. It's all very well and good that some with a lot of effort have achieved it, just like those who have been fortunate. But in the broader sense, constantly stretching the boundaries a little further, it will be 'a perfection' in an 'imperfect' context; no "perfection" in the absolute sense. Could this ever exist? Cut Let the truth come out We can conclude that Fontana attempted to do so, since from the very beginning Fontana resisted the straightforward paths of success, preferring to explore the unknown and unpredictability, which means he decided to leave the idea of being the only, he followed the path of research which led him to discover certain facts. In my personal perspective, Fontana is the one who tears open the veil and lets the light shine through, even if the black sails are obscured behind the cuts. An artist of spatial art as well as one of the pioneers of the art that is understood not just as a piece of work, but as a gesture, as a gesture, around, and as a consequence of action on space, performance as the expression of a narrative, of which much is being done today. For me, his cuts reveal all of these, opening new perspectives on art as well as new perspectives on the world and also new questions. The wound, for this, is more than just pain: the wound highlights the idea of mortality, shortness, uncertainty and [https://kaae-franks.hubstack.net/youll-be-able-to-thank-us-later-three-reasons-to-cease-thinking-about-lucio-fontana kaae-franks.hubstack.net] fragility. A wound can make us think as well as make us doubt the way we think, and this is vital to ensure that we remain in the right place. As hard as it is to suffer and as much as it is in a perfect story of our existence it would be wonderful (and just) to learn only by positive reinforcements. As long we as a species are unwilling to avoid each other's suffering as much like our own, we are bound to remain in the unsolved and to live in an unfulfilled reality. So let us enjoy the cinema and its happy endings, its beauty and perfection that is taken for granted , and that we misunderstand and take as a model for life as the visual arts contrary to what they appear are the children of suffering, and any artist who wants to tell a piece of truth, had to pass through the wound.

Usuari:IngridTrugernann

2023-01-28T17:08:35Z

IngridTrugernann: Es crea la pàgina amb «%% [https://kaae-franks.hubstack.net/youll-be-able-to-thank-us-later-three-reasons-to-cease-thinking-about-lucio-fontana kaae-franks.hubstack.net] my web...».

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