High 10 YouTube Clips About Lucio Fontana

Inadequacy
Concepts such as art and life must mix with each other because there is no point in not separating human activity and the human being itself. Life is art (creative energy - sexual) Who said that? This is the reason why the most fascinating art is one is about life, that reveals different experiences, the details, curiosity, and points of view.

In life, it is essential to disbelieve the notion of a perfectionism that can be achieved (in response to such expectations, the only art that we can think of is film). Error controlc.com is the hallmark of being Human, the stumbling block upon which we've all fallen at one time or another: the faulty judgement, impulsiveness, fear or anger, the unending search for security and control and making the wrong decisions. Don't you dare say you've not made one of these mistakes?

Open: a new perspective from which to see
When we slip, we hurt ourselves more or less intensely and are inclined to judge the cause of our fall, and to think the error as a result due to the expectation we have of ourselves and others. The wound is the actual point where we can see the truth, from which we can no longer rely on the illusion of perfect (which in the event that it was so should not hurt) and look at the things that are damaged: we examine it and look at ourselves.

Fontana cut her hair with the consciousness that breaking and opening is tearing because destroying is often the most creative act, especially in a world in which, even from a young age, we are immersed in a strong, impregnating systems of values and beliefs. It is no coincidence that Fontana said in 1963 in an interview with Nerio Minuzzo that:

"The people who criticize me have often maligned me, but I have never worried about it, I went ahead anyway and never accepted the salute of anyone. For years they called me 'the one that has the holes', with some pity even. Today, I realize that my cuts and holes have earned me a reputation and are widely accepted. They even find practical applications. In theatres and bars, they have ceilings made of holes. Since, today the public who walk by understand the new designs. It is the artists that are the ones who know more '.

When Fontana refers to street people, he invokes the imagery of imperfection, where the form of the hole is that is similar to every other one where the transformation of life can be seen. Fontana isn't afraid of dust nor the violence of his creative work and throws tar at an artifact made of plaster of a man and calls the sculpture "Black Man".

Years later, the cut transforms into the conquer of space, as an overcoming of sculpture and painting through a new spatiality that contains them both: an end to verticality to create a crossing passage.

The palpitation that occurs, both inhaling and exhaling from the canvas, is , from afar, reminiscent in a more cerebral and bourgeois sense of the work Gina Pane would later do on her skin: the gesture is nonetheless the immortal character in the context of art is destined to be destroyed; the wound and the cut represent the path, boundary and exchange. The artist herself opens the canvas in two and declares it to be finite. the holes become black holes, which give the illusion of depth and reveal the infinite that we will never be able to comprehend.

Wait: we are discovering new things that we do not yet know
Fontana called the cuts "Waits," which are the gaps from which new and new things are born which we do not are aware of.

When we make an error, or end up hurting or causing harm to someone else one, we must wait a certain period of time before we can react. It starts with the shock of making a mistake and the failure to overcome, after that, finding out the best path to take to make up for it or to get it out of the way Then we await the effects of the fracture or error, which could turn out to be a new and great resource. It could also be a waste of time.

Few understood (and are able to comprehend) this philosophy , as they are constantly assessing how reality and human beings ought to be, and how they should be compared to the two-dimensional nature that is the nature of canvas. We keep fighting with all of our might the best practices, the right way to appear and be in the world, so so that we resort to norms that ultimately define normativity.

It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to every organism and ecosystem in the world However, we see it from a narrow and biased viewpoint that is not in line with reality: Anthropocentrism as well as individual interpretations of the other that are almost never the most accurate.

Accept: there is no perfection in the absolute sense.
This also applies to this society that wants us to be better at all costs, without considering that maybe, instead of improving standards, we could learn to be more accepting of the world in the present. Do we accept pain? Do we accept death? Accept bodies? Do we accept diversity? Most importantly, after we accept, do you respect our differences?

In most cases do we choose to ignore those things that don't fit with the 'perfection' of our little world or the universe. This causes us to be shocked, angry, disgusted to be swept away, ignored, or covered up and then we show the very imperfection that we really are, but we refuse to accept it.

Understanding one's own limitations is essential, as is realising the interconnectedness of everything in the global system. Either we are ALL put in a position where we can give our best, or there is no competition or effort worthwhile, except for the goal of creating inequality. It is all well and good that some with a lot of effort have achieved it, as have the ones who are fortunate. However, in a larger context, always stretching the boundaries of what is possible the definition of 'a perfection' in an imperfect' context; no 'Perfection' in the absolutist sense.

Does this even exist?

Cut and let the truth be revealed
It is possible to say that Fontana was a tinkerer, as from the very beginning Fontana rejected the simple routes to success, and opted instead to try out the untested and the uncertain, that is to say, he renounced the pretense of being the only and following the research path which led him to discover some facts.

For me, and my personal opinion, Fontana is the one who rips the veil and lets the light shine through, even if the black sails are obscured behind the cuts. A spatial artist as well as one of the early pioneers of that art understood not only as a work but as a gesture, an act, in and around it. as a result of action on the space, as the expression of a narrative, of which much is practiced in the present.

To me, his cuts illuminate all this, opening up new perspectives to art and new perspectives on the world and also new questions. The wound, for this, is not just pain, the wound is a symbol of mortality, brevity, uncertainty and fragility. Wounding makes us question, makes us question the way we think, and this is very important to stay on the ground. As difficult as it is to suffer and as much as, in a perfect story of our existence, it would be great (and right) to gain knowledge only by positive reinforcements. So long we as a species do not want to be a part of the suffering of others as well than our own, we are stuck in the unsolved, and to live in an unfulfilled reality.

Let us take pleasure in the cinema and the happy endings it brings, its beauty and perfection that is taken as a given and which we mistakenly end up taking as a model for life as the visual arts, on the other hand are the product of suffering. Every artist who wishes to speak the truth, must pass through the wound.