The Quickest Best Option To Lucio Fontana

Inadequacy
Concepts such as art and life should be mixed with each other since there is no need for keeping a distance between the work of humans and human itself. Life is art (creative energy - sexual), who said that? That is why the most fascinating art is one is about life, which unravels different experiences, recollects specifics, questions, and viewpoints.

In the world, it is imperative to disbelieve the notion of a perfectionism that can be reached (in order to respond to such expectations, the only art we could refer to is film). Error is the hallmark of being Human The stumbling block that we've been at one point or another: impulsive judgment, haste and anger, the constant search for security and control, wrong choices. Don't tell me you have never made any of these mistakes?

Open: a new perspective from which to see
If we fall, we hurt ourselves more or less intensely and are inclined to judge the cause of our fall, and to think that the error was a mistake because our expectations hold of ourselves and others. The wound is actually the point that we are able to see the truth. From there, we can no longer rely on the illusion of perfection (which should be the case if it would not be a problem) and examine what is damaged: we examine the wound and examine ourselves.

Fontana cut her hair with the consciousness the possibility of opening up, breaking or and tearing as destruction is often the most creative action, and particularly in a society that, since a very early time, we are ensconced in a powerful, imprinted systems of values and beliefs. It's no accident that Fontana stated in 1963 in the course of an interview Nerio Minuzzo:

"The people who criticize me have often criticized me, but I have never thought about it. I went ahead anyway and I never took the salute of anyone. In the past, they called me "the guy that has the holes', with a little pity. Today, I realize that my cuts and holes have earned me a reputation that is accepted, and they even have practical applications. In theatres and bars, they create ceilings using holes. Since today, as you can see that even people in the street can comprehend the new forms. The artists are the ones however, who are the only ones to understand more '.

When Fontana refers to the street, he is evoking the idea of imperfection in which the hole is a form similar to any other, in which the becoming of life can be seen. Fontana isn't afraid of dirt nor of the brutality of creative expression He throws tar onto the sculpture of a human figure and calls the piece 'Black Man'.

A few years later, the cut is transformed into the conquest of space, in the form of an overthrow of sculpture and painting through a new form of space that combines both a break from verticality, in favor of a crossing passage.

The palpitation that occurs, both inhaling and exhaling of the canvas, is reminiscent from afar, in a more intellectual and bourgeois sense of the work Gina Pane would later perform on her skin: the gesture remains the eternal main character in this context, where art is bound to be destroyed; the wound and the cut are border, path and exchange. The artist breaks the canvas in two and declares its finiteness; the holes are transformed into black holes that provide an illusion of depth. They also reveal the vastness that we never be able to comprehend.

Wait: new things we do not yet know
Fontana called the cuts "Waits," which are the gaps from which new and unique things emerge which we do not know.

When we make a mistake, when we end up hurting or causing harm to someone else, we have a waiting time before the reaction. It starts with the shock of making a mistake and the failure over, then deciding on the path to take to make up for it or to get it out of the way Then we await the consequences of that fracture and the mistake that could turn out to be a new and great resource. It could also be a waste of time.

Many people do not understand (and do not comprehend) this philosophy because they are constantly judging what reality and the human condition should be, too used to the two-dimensional nature on the wall. We fight with all our might the best ways, the best way to present and function in society, so much so that we resort to norms that ultimately define the concept of normativity.

Nothing could be more incoherent. Convinced that we know everything that we do, we compare our standards to all other living organisms and ecosystem around the globe however, in reality we are looking at the world from a narrow and biased viewpoint that is not in line with reality. Anthropocentrism and individual interpretations of the other which are rarely the most accurate.

Accept that there is no absolute perfection.
This is also true for the society that demands us to do our best at all cost, but without pondering the fact that perhaps, rather than raising standards, we should accept more of the world in the present. Do we accept pain? Do we accept death? Do we accept the bodies of others? Do we accept diversity? Most importantly, after we accept, do you dignify?

Most of the time, we resort to invisibilising the things that do not match the "perfect" of our very own planet or the universe. We are feel angry, shocked, and disgusted, pushed away, covered up and we then show the very imperfection that we really are, but refuse to accept.

Being aware of one's limits is essential, as is realising the interconnectedness of everything in the global system. Either we are ALL put in a position to do our best, or there's no competition or effort worthwhile to be put into it, unless for the purpose of fuelling the spread of inequality. It's all very well and good that some with a lot of effort have achieved it, just like those who have been fortunate. But in the broader sense, constantly stretching the boundaries a little further, it will be 'a perfection' in an 'imperfect' context; no "perfection" in the absolute sense.

Could this ever exist?

Cut Let the truth come out
We can conclude that Fontana attempted to do so, since from the very beginning Fontana resisted the straightforward paths of success, preferring to explore the unknown and unpredictability, which means he decided to leave the idea of being the only, he followed the path of research which led him to discover certain facts.

In my personal perspective, Fontana is the one who tears open the veil and lets the light shine through, even if the black sails are obscured behind the cuts. An artist of spatial art as well as one of the pioneers of the art that is understood not just as a piece of work, but as a gesture, as a gesture, around, and as a consequence of action on space, performance as the expression of a narrative, of which much is being done today.

For me, his cuts reveal all of these, opening new perspectives on art as well as new perspectives on the world and also new questions. The wound, for this, is more than just pain: the wound highlights the idea of mortality, shortness, uncertainty and kaae-franks.hubstack.net fragility. A wound can make us think as well as make us doubt the way we think, and this is vital to ensure that we remain in the right place. As hard as it is to suffer and as much as it is in a perfect story of our existence it would be wonderful (and just) to learn only by positive reinforcements. As long we as a species are unwilling to avoid each other's suffering as much like our own, we are bound to remain in the unsolved and to live in an unfulfilled reality.

So let us enjoy the cinema and its happy endings, its beauty and perfection that is taken for granted , and that we misunderstand and take as a model for life as the visual arts contrary to what they appear are the children of suffering, and any artist who wants to tell a piece of truth, had to pass through the wound.